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vittorio de sica Essay Examples

11 total results

The Daily Struggles of the Poor in Ladri di Biciclette, a Film by Vittorio De Sica (2032 words, 7 pages)

The main ideological foci of Ladri di Biciclette (1948) by De Sica,Italian Neo-realist filmmaker, are class studies, feminist studies andHollywood hegemony and the embedded thematic concerns touch onmoralityreligion, the human condition and carpe diem. These approachesencompass the domains of work, family and government. In the face ofunemployment and growing delinquency, ... Read More

The Important Role of Bruno and His Development in Bicycle Thieves, a Film by Vittorio de Sica (621 words, 2 pages)

In the film Bicycle Thieves the main characters young son, Bruno, plays an important role in the story and goes through his own development throughout the film. The specific elements of the films mise-en-scne including the sets and settings and the performance of the actor as Bruno are crucial to ... Read More

A Short Review of the Bicycle Thieves, a Film by Vittorio De Sica (309 words, 1 pages)

ThievesWhen first sitting down the watch The Bicycle Thieves, I admit that I was unenthusiastic and skeptical. Watching a film portraying the struggles of a poor man and his family in post-World War II Italy seemed terribly depressing and I was concerned about the use of untrained actors in the ... Read More

A Critical Analysis of the Movie the Bicycle Thief Directed by Vittorio De Sica (1599 words, 7 pages)

"The Bicycle Thief" is a deeply moving neo-realist study of post-WarItaly which depicts one mans loss of faith and his struggle to maintainpersonal dignity in poverty and bureaucratic indifference. Antonio Ricci is abill-poster whose bicycle, essential for his job, is stolen by a thief. Joinedby his son Bruno, Antonio vainly ... Read More

A Film Analysis of the Movie The Bicycle Thief Directed by Vittorio De Sica (1732 words, 3 pages)

Film Analysis The Bicycle ThiefJust after the end of World War I the problem of finance encouraged filmmakers to create a kind of movie that would no longer be dependent on fiction and on invented themes but would draw on the reality of everyday life (Beaver 256). - Victorio De ... Read More

An Analysis of the Narrative The Bicycle Thief an Example of Neorealism Written by Cesare Zavattini and Directed by Vittorio De Sica (761 words, 2 pages)

Another fine example of neorealism is The Bicycle Thief (1948), written by Cesare Zavattini and directed by Vittorio De Sica. The narrative of this film unfolds in post-W.W.II times. The film is a portrait of the post-war Italian disadvantaged class (the majority) in their search for self-respect. It is a ... Read More

A Literary Analysis of the Bicycle Thief by Vittorio De Sica (782 words, 2 pages)

The Bicycle Thief by Vittorio De Sica is a movie that breaks the Hollywood aesthetic of beautiful people, fancy homes, and extensive wealth that only thrives in fantasy and sometimes-unconquerable dreams. It exploits the plight of working class individuals who live in what some may call ghettoes or over crowded ... Read More

A Biography of Vittorio de Sica, the Legendary Italian Director, Author of Bicycle Thieves (580 words, 1 pages)

Vittorio De Sica was one of the most well known directors and actors in his time. He directed 34 films and starred in over 150 movies. De Sica was born in Sora, Italy on July 7th, 1902. He was raised in Naples, Italy where he worked as an office clerk ... Read More

Objective Realism in the Bicycle Thief Directed by Vittorio de Sica (842 words, 1 pages)

In the film Bicycle Thief directed by Vittorio De Sica portrayed objective realism through the use of the setting the film takes place in. Not on scene that De Sica shot was in a studio. Everything was filmed in the everyday streets of Rome. The story line of the film ... Read More

Allegories in the Movie The Bicycle Thief by Vittorio De Sica (792 words, 2 pages)

Jennifer Medina Modern Film Paper 2 July 18, 2001 The Bicycle Thief by Vittorio De Sica is a movie that breaks the Hollywood aesthetic of beautiful people, fancy homes, and extensive wealth that only thrives in fantasy and sometimes-unconquerable dreams. It exploits the plight of working class individuals who live ... Read More

The Influence of Vittorio de Sica and Cesare Zavattini on Neorealist Cinema (2717 words, 4 pages)

The Italian director Vittorio De Sica (1902-1974) and screenwriter Cesare Zavattini are one of the most influential teams in neorealist cinema. Together, they made four neorealist films. This paper will discuss three of those films Shoe-Shine (1946), The Bicycle Thief (1948) and Umberto D. (1952). Each of these films were ... Read More

Published: Friday 25th of January 2013